And it sounded like the Hip, a breath of fresh air that local radio could use - but didn’t, that I can hear. This music was thought to have perished in a fire, but survived. The band also released some ‘new’ music lately, naming the compilation Saskadelphia - five songs left over from their Road Apples album in 1991, and one live track. It was a moving performance of a good song which still resonates. Which is true, I think, and there’s some recent evidence of that.Īt this year’s Juno Awards, the Hip were honoured with the 2021 Humanitarian Award and played one more song, maybe their last - It’s a Good Life If You Don’t Weaken, with their friend Leslie Feist handling lead vocals.
And I tried to show that whatever differences there were between how Wenjack and Downie lived, their stories are still connected today.Īlso that the Hip as they once were are no more, but hardly forgotten. There were still few paragraphs about the Hip and why they - and by extension Downie - still mattered musically to Canadians.
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Well, that’s something I guess, but I didn’t exactly give Downie’s cause the weight it carried with him.Īlmost four years later, I did a little better with the Downie-Wenjack legacy space story, giving a full account of Wenjack’s tragic life and what this RVH photo-poster of a Canadian rock star and an Indigenous boy could accomplish for those willing to take the time to consider its implications. “His efforts on behalf of Canada’s Indigenous people should be lauded,” or words to that effect. And all true, I still believe.īut what did I write about the cause which consumed Downie until his death? What did I write about? Mostly what a great rock’n’roll band the Hip was, how much I liked their music, how they had a uniquely Canadian perspective in their songs and how Downie, despite being a distinctive voice and talented songwriter, was by no means greater than the sum of the Hip’s parts. I wrote about Downie’s 2017 death in a column, at the prompting of an editor, who rightly thought we should publish something written in-house to mark his passing. And this was before hundreds of unmarked graves, many of them children, were found on or near Canada’s residential school sites. The Hip frontman did this while battling incurable brain cancer that took his life in November of 2017, but Downie stuck with the plight of Indigenous people until the end. He died of starvation and exposure trying to get home.ĭownie, of Tragically Hip fame, took up Wenjack’s cause 50 years later and helped tell his story in song, book and film, calling it the Secret Path. Wenjack was an Anishinaabe boy who, in 1966 at age 12, ran away from a residential school in Kenora, Ontario attempting to reunite with his family, 600 kilometres away in Ogoki Post in Martens Falls Reserve, in northern Ontario. Recently I wrote about the Gord Downie and Chanie Wenjack Legacy Space at Barrie’s Royal Victoria Regional Health Centre (RVH), a safe place to pause and reflect on Indigenous history and reconciliation. Time doesn’t always change perspective enough, even when you want it to, even when it should.
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